Storm Constantine

After seventeen years of being professionally published, Storm decided that the only way for her books to stay in print for any length of time was to publish her back catalogue herself. With Immanion Press, she decided to rectify the typical fate of books, which is to have the "shelf life of a magazine". 

Storm underwent a cursory art college education, but found it too restricting creatively. After a series of mundane jobs, she began writing seriously, and her first book, "The Enchantments of Flesh and Spirit" was published in 1987 by Macdonald Futura. Storm has written approximately 1.5 books a year ever since! 

In the 80s and 90s, she frittered away some time managing bands, and caught the publishing bug from producing fan club magazines. After giving up the musical distraction, Storm embarked on the fiction project, "Visionary Tongue", with Louise Coquio (now one of our editors), which was a regular magazine of dark fantasy/fantasy/sf stories. She and Louise enlisted the help of several writer friends to act as editors, so that up-and-coming writers would have the chance to work with a professional, and pick up tips about their craft and the industry. 

Immanion Press is undoubtedly an extension of what began with Visionary Tongue. As well as her own work, and the back catalogue of friends and writers she admires, Storm is keen to promote new talent. As to what she's looking for, she says: 

'It's difficult to define what I like, but it has to be different. I admire a slick style, believable characters, vivid yet economical description and an engaging story. I also like a certain level of quirkiness, as long as it isn't too self-conscious! A few of my favourite writers are Alice Hoffman, Tanith Lee, Jack Vance, Steve Millhauser and Jonathan Carroll, as well as women writers of ghost stories from the Victorian era, which might give people a potential idea of what appeals to me. I will edit the books that most appeal to me, but we also have a team of other editors who are all very thorough at what they do. I am known as rather a task-mistress with authors I work with, though - so be warned!'